TL;DR:
After interviewing Disney’s best and brightest, Lou Mongello noticed that great creative work rarely begins with having everything figured out.
It comes from doing the work, staying curious, learning from other people, telling stories that serve your audience, and being willing to make an imperfect first version. If you’re stuck waiting for clarity, start somewhere. The next step often becomes clearer once you’re moving.
Creative Lessons for Entrepreneurs From the People Who Built Disney
We love seeing the finished thing.
- The movie.
- The book.
- The business.
The attraction that makes you wonder, “How in the world did somebody think of that?”
What we don’t see are all the crumpled-up ideas that came before it.
That’s something that kept coming up when Paul Gowder and I sat down with my good friend Lou Mongello, host of WDW Radio and author of The Disney Interviews. Lou’s new book brings together conversations with 18 Disney Legends, including people like Kevin Feige, Bob Gurr, Marty Sklar, Richard Sherman, and Alice Davis.
These are people whose work has influenced movies, theme parks, music, storytelling, and popular culture for generations.
But after spending years talking with them, Lou noticed something.
They didn’t talk about “magic” nearly as much as they talked about work.
And I think there are some pretty powerful creative lessons for entrepreneurs hiding in those stories.
Creative Lessons for Entrepreneurs: Start With Doing the Work
I kicked off our conversation with something Kevin Feige said in the Disney+ documentary World Builders:
“Don’t just close your eyes and wish, open your eyes and work towards the belief.”
Lou loved the distinction because we sometimes confuse optimism with passivity.
Believing you can create something matters.
But belief is the starting point.
As Lou put it,
“The work closes the distance between where you are and the thing that you are wishing for.”
I love that.
We tend to look at somebody else’s finished work and skip everything that happened between their original idea and what we’re seeing today.
We see the castle.
We don’t see the discarded drawings.
We see the successful business.
We don’t see the ideas that went nowhere.
We see the book on Amazon.
We definitely don’t see the author staring at the same paragraph for 45 minutes, wondering why they ever thought writing a book was a good idea.
The finished product can make creativity look a lot cleaner than it really is.
You Don’t Need the Whole Plan Before You Start
One of my favorite stories Lou shared came from legendary Disney Imagineer Bob Gurr.
Lou described Bob explaining an exercise involving a gray square. The challenge was essentially to turn that square into a pattern of black and white squares.
You could sit there trying to determine exactly what the finished pattern should look like.
Or, as Bob suggested, you could simply start making some black and white somewhere.
Once you’ve made that first mark, you’ve eliminated one possibility.
Make another.
Now you’ve eliminated another.
Keep going, and eventually the path starts becoming clearer.
That’s pretty darn good advice! (This guy should work for Disney or something!)
How many times have you postponed something because you didn’t know exactly how it would turn out?
→ The podcast isn’t completely figured out.
→ The course outline isn’t perfect.
→ You don’t know exactly what the YouTube channel should become.
→ The book still has holes in it.
So you wait for clarity.
But sometimes clarity comes from moving.
You don’t necessarily think your way into the finished idea.
You start coloring squares.
Your First Version Has a Job to Do
This connects to another idea Lou talked about throughout our conversation: your first attempt doesn’t have to solve everything.
Its job is to teach you something.
Lou talked about the hardest part often being getting the plane off the runway. Once you’ve started, you can learn, adjust, and move toward something you’re proud to put into the world.
I’ve seen this with my own content.
There are things I’m doing today with my live show, videos, AI workflows, and speaking that I couldn’t have mapped out when I started.
I had to make version one before I knew what version two needed.
That’s especially important right now because we have approximately 6,492 tools available to help us research every possible decision before actually doing anything.
Sometimes that’s useful.
Sometimes it’s procrastination wearing a productivity hat.
Make the thing.
Learn from the thing.
Then make the next thing better.
Your Content Isn’t the Story
Lou also shared something he learned from Disney Legend Marty Sklar that I think every content creator needs to hear.
Before Disneyland opened, Walt needed a way to communicate what this strange new place was going to be.
Marty helped create a newspaper about Disneyland.
But Lou’s takeaway was that the newspaper wasn’t really the product.
The story of Disneyland was the product.
The newspaper was simply one way of telling it.
Now think about your business.
Maybe you have:
→ A podcast
→ A newsletter
→ A course
→ A YouTube channel
→ A membership
→ A book
Those are important, but they’re containers.
What’s the larger story?
What are you helping someone understand, accomplish, change, or become?
I think that’s a much more useful question than, “What should I post this week?”
Your audience probably doesn’t wake up hoping you’ll publish another carousel.
They have a problem.
Your content is one of the ways you help them move through it.
Great Creators Stay Curious
Another thing I loved from Lou was his take on where ideas come from.
He made the point that if he only consumed Disney content, he’d eventually start making the same Disney content everybody else was making.
Instead, ideas often come from completely unrelated places.
You read something.
You hear a conversation.
You notice how another industry solves a problem.
At the time, those things may have absolutely nothing to do with what you’re working on.
Then one day…
Click.
Two unrelated ideas suddenly connect.
This is something I think creators can forget when we’re focused on staying “in our niche.”
You need inputs that have nothing to do with your niche.
- Read weird books.
- Talk to people outside your industry.
- Go somewhere different.
- Learn something you’re terrible at.
Curiosity gives your brain more pieces to play with.
What Lou Mongello Learned From Interviewing Disney Legends
Lou’s book brings together 18 interviews collected over many years.
One of the things that struck him was how often similar themes appeared.
These incredibly accomplished people talked about mentors.
They talked about teams.
They talked about mistakes.
They talked about the people who gave them opportunities.
And they displayed a surprising amount of humility.
Lou shared the story of interviewing Richard Sherman, one half of the songwriting team behind songs from Mary Poppins, The Jungle Book, and attractions like “it’s a small world.”
When Lou asked Richard for an interview, his response was essentially:
“Are you sure you want to interview me?”
Yes, Richard. Pretty sure.
That humility seems to show up repeatedly in Lou’s conversations with people whose work has had enormous cultural impact.
They don’t talk as though they built everything themselves.
They remember the people who helped.
That’s a useful reminder for those of us building businesses too.
Turning a Podcast Into a Book Requires More Than a Transcript
This part of Lou’s process especially caught my attention.
Obviously, you can take podcast transcripts, clean them up, organize them, and turn them into a book.
Lou wanted something more.
For The Disney Interviews, he wrote personal introductions for every chapter explaining how he met each person, what happened around the interview, why that person mattered, and why he wanted the reader in that particular room.
He wasn’t trying to say:
“Here’s everything we said.”
He wanted to explain:
Here’s what matters, why it matters, and how these pieces fit together.
That’s a huge distinction for anyone repurposing content.
The new format should add something.
A podcast asks you to listen linearly.
A book lets you stop.
Go backward.
Jump between interviews.
Notice patterns.
Sit with an idea for a while.
You’re taking the original material and giving someone a new way to experience it.
That’s repurposing I can get behind.
Sometimes You Need to Get Into the Right Room
Toward the end of our conversation, we talked about Lou’s Momentum event, which I’ve had the privilege of being part of multiple times.
Momentum is intentionally small.
Lou doesn’t want hundreds of people disappearing into a ballroom, filling notebooks with ideas, and heading home overwhelmed.
He wants people doing the work.
Talking.
Asking questions.
Helping each other.
Figuring out what comes next.
Lou believes most of us don’t have an information problem. We’ve got plenty of information.
What we’re often missing is clarity about what to do next.
His advice for choosing conferences, masterminds, communities, or other rooms is something I’ve been thinking about:
What problem are you hoping this room will help you solve?
That’s a much better question than simply asking whether an event has good speakers.
Sometimes the value isn’t another presentation.
It’s the conversation at the table afterward.
Start Making Some Black and White Somewhere
I keep coming back to Bob Gurr’s squares.
Because whether you’re creating a book, launching a podcast, changing your business, building a course, or trying something you’ve never done before, there’s always a reason to wait.
You could research more.
You could plan more.
You could wait until you feel more confident.
You could ask ChatGPT another 37 questions:)
Eventually, though, somebody has to make the first mark.
Lou’s conversations with these Disney Legends are a reminder that the finished thing we admire usually came from a much messier process than we imagine.
Belief mattered.
Curiosity mattered.
Mentors mattered.
Stories mattered.
But somebody still had to do the work.
So if you’ve been staring at your own blank square lately, maybe you don’t need to know exactly what the finished picture looks like.
Start making some black and white somewhere.
You can figure out the next square from there.
Connect With Lou!
Lou’s Website: www.loumongello.com
WDW Radio: www.wdwradio.com
Momentum Weekend Workshop: www.loumongello.com/momentum
Grab Lou’s New Book

SHOW TRANSCRIPT
This transcript is automatically generated by Descript. Any errors or omissions are unintentional.
[00:00:00] Lou Mongello: When you see the castle, when you see the attraction, when you see the Marvel movie, like you see the finished things, you don’t see all the things that happened in between. You don’t see all of the drawings and the concept art and the stuff that was thrown away, and the failures and the financing problems.
[00:00:15] Lou Mongello: Like we look at sort of the end result of what the magic, the quote unquote “magic” is. We don’t see how they get there.
[00:00:26] Jeff Sieh: Hello, folks. Welcome to Creator News Live. I’m Jeff Sieh and you’re not
[00:00:30] Paul Gowder: And I’m Paul Gowder, and this is the show that keeps you up to date on the creator economy and so much more
[00:00:35] Jeff Sieh: When was the last time you sat down to actually make something and actually felt creative instead of just tired? Do you ever look at the people who seem to have endless ideas and quietly assume that they were born with something that you were not? And what if it is not a personality trait at all, but a set of habits that people have been describing out loud for seventy years while the rest of us were probably not listening?
[00:00:59] Jeff Sieh: If that sounds [00:01:00] familiar, you are in the right place
[00:01:02] Paul Gowder: Our guest today is Lou Mongello, host and creator of WDW Radio, one of the original and longest running Disney podcasts and podcast in general in the world with more than 1,000 episodes and a Podcast Hall of Fame induction. He left his career as an attorney, moved his family to Florida, and turned what he loved into what he does. And along the way, he’s sat down with Imagineers, composers, artists, executives, and of course his friend Kevin Feige who all built Disney legacy, and 18 of those conversations just came out in a book called The Disney Interviews. He’s also the founder of Momentum, one of our favorite conferences, and today he’s walking us through what it all means for anybody trying to make something on their own
[00:01:42] Jeff Sieh: So sit back, clear your schedule, clear your mind to get ready for this week’s episode of Creator News Live
[00:02:12] Jeff Sieh: [00:02:00] There you go, folks. That’s right, it is the name of the game. we are so excited to have Lou here with us, but we’re also excited about our sponsor who’s here every week. It’s amazing folks at Ecamm and you can find out more about them at ecamm.com/jeff. You can save 15% on your first purchase by using the code jeff15.
[00:02:28] Jeff Sieh: And by the way, camp is coming up folks. That’s right, camp is coming up here. it’s September 28th through the 30th. If you haven’t got your tickets yet, there is still time. I’m gonna be there. Paul’s gonna be there. So many cool people are gonna be there. Go to ecamm.com/camp to find out more. All righty, Lou, this is gonna be fun.
[00:02:47] Jeff Sieh: I’ve got you in my little crosshairs today, and we are gonna talk about all the amazing people, you have, interviewed over the years. And if you didn’t know this, but Lou, I think it was at D23 you announced or did you do it before D23 your, [00:03:00] your, legends edition of your interviews?
[00:03:02] Lou Mongello: I revealed it and released it at D23, where they induct the new Disney legends every couple years
[00:03:07] Jeff Sieh: So he’s got 18 of these Disney legends in there, and some of them … I mean, they’re all, you can all listen to them, and I’ve listened to a lot of the ones like with Julie Andrews and with the Sherman Brothers. it’s just the, the amazing, interviews that you have but the book is amazing too. you can get it at Amazon, you can get it on Lou’s website, all the places.
[00:03:24] Jeff Sieh: it’s actually, I love it on Kindle that’s what, that’s what I’m been reading it on myself so make sure you check out his book. But one of the things I wanted to talk about first is I thought about you because, Disney, I don’t know, a couple months ago and Disney+ released a great documentary called World Builders and it’s got your best friend on there Kevin Feige.
[00:03:43] Jeff Sieh: And one of the things he says, and I actually stopped and wrote this down because I thought it was so good, cause I want your, uh, thoughts on it. He said, “Don’t just close your eyes and wish, open your eyes and work towards the belief.” And then he goes on, “…but to have that belief in yourself to keep working hard to try to make it happen.”
[00:03:59] Jeff Sieh: [00:04:00] So that’s kind of very specific kinda correction to like the version that Disney most of us grew up on just, you know, you know, a wish is a wish your heart makes. You know whatever you dream will come true. So wh-what do you think people get wrong about creative work? Kind of in that mindset
[00:04:15] Lou Mongello: Well, so first of all, like the love and admiration I have for Kevin Feige, not just as a… As r-… Out of Marvel Studios, but he’s a fan like us too, and he’s just such a, the most, like normal down to earth person in the world. And, and I love that you pulled that quote, and I love that, the, the World Builders documentary.
[00:04:32] Lou Mongello: You know, my only complaint is that I wish there was more.
[00:04:35] Lou Mongello: Like, I wish it could have gone on longer. But I think that quote that you pulled i- is really interesting because I think sometimes, I think we confuse optimism with like passivity. Like believing in something is very p- powerful, but the belief in something which is, is critical is just the start of the process.
[00:04:53] Lou Mongello: It is… The belief is not the process itself and like you gotta do the work, right? I [00:05:00] think this is where like that’s where the huge nexus is. Like the work closes the distance between where you are and the thing that you are wishing for. And I think when you… Look, we can use Disney or Marvel as, as an example.
[00:05:13] Lou Mongello: When you see the castle, when you see the attraction, when you see the Marvel movie, like you see the finished things, you don’t see all the things that happened in between. You don’t see all of the drawings and the concept art and the stuff that was thrown away, and the failures and the financing problems.
[00:05:30] Lou Mongello: Like we look at sort of the end result of what the magic, the quote unquote “magic” is. We don’t see how they get there. So I think from a, an indivil- individual standpoint, it’s about just not believing that something’s gonna happen, but it’s believing in yourself enough that if you keep doing the work you will be able to make that thing come true
[00:05:48] Jeff Sieh: totally, totally good advice right there
[00:05:51] Paul Gowder: let, let’s switch to Bob Gurr, another amazing legend, and he said something about w-… you prepare for your career by being prepared for nothing [00:06:00] specific. And, you know, just being curious and continuing to really feed on that curiosity. I know you and I, Lou, we, we started this whole thing back before there was AI and, and things to do it for you.
[00:06:10] Paul Gowder: You know, if we wanted to do something, we had to just learn it and build it ourselves. So for creators now that are just so busy with packed calendars, how do you remain curious and keep, keep yourself open for those things that, that may come up?
[00:06:24] Lou Mongello: Well, I think you always not only have to be curious but you always have to be iterating. Like, I’m always looking to do what’s next. Like the second this book was finished I was onto my next project and I think what happens especially for solopreneurs and solopreneurs who might have a full time job like you have to remember that curiosity… You know? Like it doesn’t require a block in your calendar. Like it’s, it’s not about moving through your life on autopilot and I think what Bob’s point is, and God bless you Bob for still going strong at this time an- and phase of your life, like you never know how [00:07:00] What something that might seem unrelated at the beginning might become useful later on.
[00:07:05] Lou Mongello: I, you know, I went to school. I dedicated a lot of my life to becoming an attorney. I talk about Mickey Mouse for living now but y-… And you don’t think that those.. That the twain shall ever meet but they do and eventually those dots connect in ways that we n- might not necessarily expect or understand and I think for a creator specifically you have to have sometimes those inputs and, and take in things like a sponge to things that don’t necessarily feel like they are directly connected to your niche.
[00:07:35] Lou Mongello: Like if all I con- consumed was Disney content, all I would be eventually doing is just regurgitating the same thing that everybody else does but I take outside influences and I integrate them into what I do so it creates something that is new and more importantly something that’s different
[00:07:50] Jeff Sieh: Mm-hmm. So you mentioned, the lawyer side and the Disney side coming together, and if you’ve ever spoken at one of Lou’s conferences, you basically, when you sign the agreement, like… I think he [00:08:00] actually owns the right to this show by now. I mean, so those, those really do come together, because you sign your life away when you, when you
[00:08:06] Lou Mongello: It’s only 47 pages this year,
[00:08:08] Lou Mongello: so I cut about 16, 17 pages out,
[00:08:10] Jeff Sieh: Exactly. Exactly. by the way, I wanted to … You guys, as we’re talking about this, we’re talking about creativity, and I wanna know where your best ideas actually show up. So wherever you’re watching from, for me it’s the shower, right? Like, or, and, or it’s driving or walking or 3:00 AM. So d- d- where you f- get your best ideas, I wanna know.
[00:08:28] Jeff Sieh: you also, it also mentioned in the interview where you had with Bob he kinda gave you an actual method. He said describing handing somebody a big gray square of cardboard that has to become a bunch of little black and white squares, and his whole instruction was start making some black and white somewhere just anywhere.
[00:08:43] Jeff Sieh: Like And so I think half the people here are, are like staring at a blank page or, you know, they’re just kind of feel like they’re kind of in vapor lock where they can’t go anywhere. is that the whole trick or is there more to it than that, than, you know, just making a square somewhere?
[00:08:56] Lou Mongello: You know, it’s funny we’ve-we’ve heard Bob and Marty [00:09:00] Sklar and so many people talk about the blank page And for some people they look at that as enormous opportunity; and other people look at that as something incredibly in- intimidating I think the genius of Bob’s advice is that when you do that It removes that sometimes, I think impossible requirement That we put on ourselves: that the first thing that we make–that first square has to be The right thing or the best thing and I…
[00:09:24] Lou Mongello: You know, I look at the empty –I’m a positive optimistic person So I look at that blank page as one that contains infinite possibilities And then as soon as you make that first mark you reduce ,you know, that Infinite blank space into something that you can actually start To work on Like you by making that first line -That first square whatever that first thing is You start to reduce the way into getting A little bit of clarity It’s like taking, you know, a bag full Of Lego and you got to just Start putting down that one
[00:09:56] Lou Mongello: brick And then you figure out what you’re building along the way [00:10:00] But I think the important thing guys Is that as you’re doing that ;like the First version has another job In addition to having to be good Right?
[00:10:07] Lou Mongello: Because you’re putting your name On it but As you’re building it . It’s teaching you What the second version needs to be “Like this is not my first interviews book” Like I wrote one before and I hopefully learned lessons from the first one And I think This happens with podcasts and books and businesses And keynote talks and everything final product is a result of all the mistakes and learnings that you had Along the way
[00:10:30] Jeff Sieh: So, so do you, would you say like another, good tip would be something like the, you know, eat the frog? Like, you do the, the hard thing first in the morning or when you’re the most creative is a, as another kind of thing that kind of ties into that Bob Ger method of just, you know, make a square somewhere
[00:10:45] Lou Mongello: So I think it, I think of this in terms of, of clarity. I think we sometimes overthink ourselves into paralysis, and I think you don’t need enough clarity to figure out how you’re gonna finish something. All you need is enough clarity just to start, and then you figure it out and you build [00:11:00] your wings on the way down
[00:11:01] Jeff Sieh: Very good
[00:11:02] Paul Gowder: All right, let’s switch to Marty Sklar. you know, he was just, what, 21 years old when he got assigned to invent a newspaper for a town that wasn’t even there. And he said it really didn’t make sense until he figured out it was all about story. So for solopreneurs and creators out there that feel like everything they’re doing is just too small, how do you tell them to find the story and to, you know, build this bigger thing?
[00:11:24] Lou Mongello: Well, I think he realized like the newspaper wasn’t the product right? The, the, the product of story was Disneyland and the newspaper was just a thing that sort of made that story visible and believable and tangible and I think it applies to businesses as well. Like your podcast or your course or your book or your newsletter isn’t the story they are part of this larger story about… And I think it’s really not about you it’s about the person that you were trying to help and th- the value based outcome that you’re trying to give them. Like these are all parts of the story Lego bricks whatever you want to [00:12:00] call them squares on your sheet of paper to help you the person I’m trying t-to help move forward become something different and hopefully you know becomes something better
[00:12:09] Jeff Sieh: So, Scalar also said that the parks are about detail and that if the details are wrong you take people out of that story. And one thing that Disney has done since I was a kid and continues to do is, is storytelling. So it kind of runs straight into “done is better than perfect,” which is the advice that everybody gets…
[00:12:27] Jeff Sieh: You know every creator gets handled like done is very impor- We’ve heard that at countless keynotes or whatever so where is the line? Where– Which details are actually carrying the story and which ones are we just, are polishing or we want to make it perfect because that’s our, you know how we are built Like w- That perfectionism hits it.
[00:12:43] Jeff Sieh: So where’s the line between okay the details are super important you got to get those right versus okay we’ve gotta ship it
[00:12:50] Lou Mongello: Look, I, I love the idea of done being better than perfect. Like if I waited until this book, this episode or whatever it is was perfect, it would never happen. But I [00:13:00] think… A- and I see this a lot. I think sometimes people use that as permission to maybe not care as much. Like the craftsmanship, the details, the storytelling, it still matters.
[00:13:13] Lou Mongello: So ensure that the thing that you’re putting out is still worthy of the best that you are able to do at that moment. I think that’s what, what Disney does. you know, especially when they put a date on the calendar which is why they did an D23. This is when this attraction is going to open. You know, it might now be perfect but i- it’s gotta be done, but it’s got to be done to a certain level of standards.
[00:13:38] Lou Mongello: you know, and I think it goes into the conversation too about I think a lot of us are Paul and I are perfectionists. Jeff clearly not. It’s about this idea of, of perfectionism
[00:13:47] Lou Mongello: and, and how that sort of masquerades sometime as, as high standard. Sometimes we just use this idea of perfectionism as a way to prevent putting something out there because we’re afraid of being judged on it.
[00:13:59] Lou Mongello: Like anytime you [00:14:00] launch something, any time you reveal something, any time you put out a podcast, there is a little bit of that fear like the Internet’s gonna be the Internet. I am going to, potentially gonna be judged by it
[00:14:09] Jeff Sieh: Yeah, yeah And it’s, it’s f-… It’s… I think part of the art of being a creator is finding that line and that line you’re, you’re gonna learn. I think, the perfectionism versus shipping it like sometimes I’ve screwed up and shipped something way too early that I shouldn’t have shipped right? Like everybody said that but you learn from those mistakes and I think that’s as a creator As you grow You learn where that line is Okay we just need to get this out the door Its good enough Compared to everyone else its really good But if you had more time you would work on it A little bit more What is that law Not Murphy’s Law Whatever time you set for something will fill Before youre ready To leave Im amazed at The amount Of stuff i can Get done before Taking vacation Everything hits At once Right And you
[00:14:52] Paul Gowder: Right
[00:14:53] Jeff Sieh: make it Work Why cant i be That Way all the Time So thats Kind of the Dilemma We Have as Creators Go ahead Paul You Had a Question
[00:14:59] Paul Gowder: [00:15:00] Yeah. Ooh, let’s talk about Leslie Iwerks. She directed the Worldbuilders, and she said when she sat down with storytellers, they always trace their curiosity back to a specific childhood moment. You’ve been having these same conversations with some of the same people. Have you heard that same thing? And is there, and even for you, is there a sp- a specific moment you can trace some of your
[00:15:19] Lou Mongello: I, I think it’s, it’s a, an amalgamation and compilation of a lot of moments. Like I can look back hindsight being 2020 and, and I was just having this conversation with somebody yesterday thinking about some of these seminal moments I had at Disney like with my parents, with my brother whatever it might be that I didn’t realize at the time were sort of leading me on this path that I did very, very circuitous path but I didn’t realize I was eventually going to get to. But I think it’s why not only does story matter, but your ‘why’ matters, like the why you’re doing something and the motivation behind it too. I’ll use podcasting for example because I, I love this medium so much because I think it is so very intimate. I think it’s [00:16:00] so very personal and your ‘why’ I think comes through because you can read something in a book, you can read something on a blog and you can’t hear the passion, you can’t hear the emotion, but on a podcast you can. And I think sometimes I see a lot of podcasters doing this they’re focused on the guest, they’re focused on the story, they’re focused on the content and sometimes they hold back from injecting personal stories because they feel well nobody’s gonna care. I think the exact opposite is true. I think your audience does care because once you build a l- a, a true loyal authentic meaningful engaged community, they’re sometimes not tuning in for the content, They’re tuning in for you so they want to hear whatevers that you have to say. They wanna hear the stories. They wanna hear you know the emotion too. Jeff, I’ve been telling you for years crying is podcast gold. You need to inject more of it into what you do because it does. It not only humanizes you but it makes people understand the story and the reason and the meaning behind how you got to where you are
[00:16:54] Jeff Sieh: Yeah, I think those are, are good points and I wanna bring up some, uh, questions, and I’ll try not to cry about this but
[00:16:59] Jeff Sieh: [00:17:00] DisneyHosteLeda he says this…and I want to talk about this for a little bit. She goes: That’s where I am right now overthinking into paralysis,” and I think a lot of creators have that and I’ve had it before and I think one of the things is, at this time, w-… It’s the best time to have a business, it’s the best time to be a creator in my opinion because before I’ve always felt like I’ve been a, a jack of all trades and master of none, right? Well there’s even articles being written, this last week about how Right now you have to be m-, a jack of all trades because there’s so many different things coming on in the business and how we can use that together. And this is the first time I’ve really felt like I’m kind of cohesively I can do this stuff because it, it ties into my superpower, right? So if you are feeling like you’re overwhelmed, like use some of that stuff to just talk it into AI and get some, ideas.
[00:17:46] Jeff Sieh: It can like, it’s almost like rolling the dice or gamifying like your next decision because a lotta times as creators we have so many things in our head. You know, like Lou, I know you have a huge whiteboard of all the things that you wanna do and a lot of times it’s just like okay [00:18:00] which one am I gonna pick?
[00:18:01] Jeff Sieh: What I wa- You mentioned after your book, the next one. So what are your criteria, Lou, on that of like getting out of that paralysis of, you have so many ideas. I mean you watch your, your Wednesday show and you’re like oh y- somebody will mention something like we need to do that trip or we need to do that.
[00:18:15] Jeff Sieh: So how do you, I guess triage your ideas that are coming up in your mind?
[00:18:21] Lou Mongello: I think it’s a couple of things. I think one, you have to do the things that like excite you to get out of bed in the morning and keep you up late at night. Like I did not sleep in the preparation of this book. Like
[00:18:32] Jeff Sieh: Right
[00:18:33] Lou Mongello: over bourbon at Creator Camp we’ll talk, I’ll tell these stories about, you know, the stress and, and the, the lack of sleep, coming up to that. I think you have to pick projects that you are truly passionate about. Do not pick the ones that you just think are the most monetizable or are going to have, you know, the greatest potential margins. You think about the things that serve you but more importantly also serve your community. What is your community looking for?
[00:18:57] Lou Mongello: What are they asking for? Where is there maybe a gap [00:19:00] in something that doesn’t exist? What is truly… You know, the, the interviews book is combination of passion project, for something that I loved and feel very privileged and grateful to have done, but it also was something that I was like well not everybody’s a podcast listener.
[00:19:16] Lou Mongello: Like availability of a podcast does not necessarily mean the same thing as accessibility. Just because those podcast episodes exist online, they still can be functionally invisible so this book allows me to not only capture those stories but hopefully share them with people that might not be podcast listeners
[00:19:33] Jeff Sieh: Mm-hmm. And I, and I, I lo-, you know me about repurposing content. I think it’s genius, right? And it’s not a small book. Like, it’s over 400 pages. Like, it’s not a teeny little book that you can just read in the afternoon as I’ve tried to do. But yeah, so I thought I love, the way, you have put this together and, and give it in another medium that people can go reference.
[00:19:51] Jeff Sieh: Like it’s, it’s nice to have a podcast but it’s hard to go back and like, “Hey, you know Bob said something in that, in that podcast.” Oh, Lou’s got a book. I can go and, and look it up [00:20:00] right there.
[00:20:00] Lou Mongello: Some people might say, “Well, all he’s doing is just taking scraps from transcripts and, and putting them together.” But I think the book changes the context because these are no longer 18 disconnected files or interviews.
[00:20:13] Lou Mongello: They are sitting next to each other, and so many of these people worked for and with Walt, and you start to see patterns across their stories and sometimes across generations about curiosity and persist- persistence and mentorship and storytelling and failure, and the reverence and respect they had for Walt, and I think more importantly, for the work itself.
[00:20:34] Lou Mongello: And, you know, With audio we sort of demand time in a very linear way, but the book allows you to linger a little bit more or read a page here and there and jump between things and pass it along to somebody. I think there’s a, a preservation element that a book has that maybe an audio podcast doesn’t necessarily have too
[00:20:51] Jeff Sieh: Yeah. So, the next section we’re gonna actually dive into the book where you, the, the book is actually 18 Disney legends. And, I wanna know if [00:21:00] you guys in the audience have ever got to meet or talk to somebody whose work has shaped you. So if there’s somebody who’s work shaped you, you know, mention them down below, like in, comments.
[00:21:10] Jeff Sieh: I was just
[00:21:10] Lou Mongello: Are you just hoping that they mention you? You’re just waiting, you’re just
[00:21:13] Lou Mongello: baiting somebody to mention
[00:21:14] Lou Mongello: you
[00:21:14] Jeff Sieh: no, not at all. “
[00:21:15] Lou Mongello: Oh, the first time I met Jeff Sieh, I heard the angels sing.” I mean, that’s
[00:21:19] Lou Mongello: how I
[00:21:19] Lou Mongello: felt.
[00:21:19] Jeff Sieh: I, well, you didn’t even talk to me. No, you were up on the stage as the keynote speaker at Social Media Marketing World. You were, you were casting down from your golden throne nuggets for people to, and I reached up and you swatted my hand away,
[00:21:34] Lou Mongello: I sat in the back row because it was a full room at Social Media Marketing World where you were there probably wearing the same shirt you have on
[00:21:42] Lou Mongello: now talking about manly Pinterest tips, and I just like, I was like Snow White. There was like birds flying
[00:21:49] Lou Mongello: around my head, and there was hearts in my eyes, and I’m like, “This is the man
[00:21:52] Jeff Sieh: I have gotta get the you as Snow White cosplay out of my head. I just can’t, it’s so
[00:21:57] Jeff Sieh: wrong So wrong. But [00:22:00] mention down below where y-… Like s- for me Mr. Goolsby if you’re watching which I w- would be awesome if you were. My theater teacher way back in high school huge impact on my life got me out of my shell in front of people which led to a lot of other things.
[00:22:13] Jeff Sieh: So like yeah Michael says “Lou has influenced me choose the good.” Yeah so S- so we’re gonna be talking about meeting your heroes which Lou has done in this book which is is so very very cool. So we’re gonna be talking about like the 20 years of Asking Legends I know Paul you’re gonna kick us off
[00:22:30] Paul Gowder: Yeah. so le- let’s talk about… Well first I wanna say how I met Lou, ’cause he did have an influence and, Jeff and you and I talk about it all the time, masterminds really do change how
[00:22:40] Paul Gowder: your perspective. I don’t know if, if Lou even remembers the first place we actually met in person. standing in line getting fish and chips in Epcot.
[00:22:47] Paul Gowder: I heard him. I didn’t see him, I heard his voice, and my wife and I looked at us, looked at each other and went, ” We know that voice.” And turned around and it was you.
[00:22:54] Paul Gowder: but yeah, in the, in the Disney’s Legends, um, y- how’d you figure out like who to include and, and [00:23:00] leaving them where they are?
[00:23:01] Paul Gowder: A- I, I do like how you talked about that this book you can kind of settle with it, and whether it was a podcast, this might have been over several years. So how did you string them together and figure out how to put them in, in what order?
[00:23:12] Lou Mongello: it’s funny, the first– So this is the second interviews book I’ve done. The first one was a compilation of interviews that people who worked for and with Walt Disney. And then for the second book, again it’s a much longer sadder story, but it went through a lot of different iterations of what it was going to be and the people that I was including in it. And the first version of it when I finally had it all pulled together and, and formatted it for a, you know, a trade paperback 6×9 book, it was like 579 pages. It was like the Gutenberg Bible. I’m like, “This cannot happen.” So I started to try and figure out like who do I eliminate and why? And then I, I w- I had all these different patterns of who these people were, and there was lots of different, lots of different [00:24:00] quote unquote final versions of the book, for one reason or another. And then I was like, well, wait a minute, why don’t I do this? Because of the clock was ticking. I’m like, why don’t I release it at D23, and this is where Disney Legends are revealed and, and inducted, so I’m gonna make it all about Disney legends. So I had to go back and add some people and cut some people out and keep it in context of receiving Disney’s highest recognition and award. But then also being sure that I included new personal introductions to every chapter to help sort of weave that common thread between them all as well as give context to what happened before, during, and sometimes after, you know, I clicked record on the microphone
[00:24:45] Jeff Sieh: That’s good, and I wanna go back to once again a Kevin Feige question because I didn’t get… I forgot to ask it. But this ties into what we were talking about a little bit. And even putting a book out is like, Kevin Feige says you have to believe in yourself, right? That was the quote that we talked about at the start of the show.[00:25:00]
[00:25:00] Jeff Sieh: But what do you do, Lou, on days where you don’t? I know we all have that as creators. Cause putting a book together is hard, and I’m sure you had days where you went like, ” Nobody’s gonna read this. Why am I doing this?” I got D 23 coming up; What am I doing trying to launch a book in middle of this?
[00:25:17] Jeff Sieh: do you have a group of people you go to? Is it like you go in, into the closet and scream, you know, Jiminy Cricket’s name five times? I don’t know. Like, what do you, what do you do to, to get over that time where you have those moments of self-doubt, because we all have them
[00:25:32] Lou Mongello: I literally could point you to a, a moment, multiple ones, but I’ve been thinking back to a night, it was like 4:15 in the morning, and I was scrambling to try and, like get stuff together for the booth, work on the activation, work on the technology, order products, work on this book, work on something else that I haven’t… I was trying to release at D23, and I chickened out at the last minute and didn’t. And I’m spinning all of these, not even spinning plates, I’m juggling like [00:26:00] bowling balls and Fabergé eggs
[00:26:01] Lou Mongello: and grenades all at the same time. And it was like 4:30 in the morning, and I’m looking at this book, which is now a mess because I’ve gone back and I’ve reworked it, and I’ve gotta rewrite things and reorganize and I, I can’t find all the different versions of it.
[00:26:14] Lou Mongello: And I’m like, “What are you doing? Like, nobody’s gonna read this. They’ve heard the interviews before. Like, why are you killing yourself trying to do this?” So I, I sit down, I have a good cry, I eat a bag of Doritos, and I feel better. And then I keep moving forward, and I’m like, look, I’ve got to go back to this belief in this thing that I’m doing.
[00:26:30] Lou Mongello: Like when you were not exhausted and when we were not overly stressed out, you had this idea, you believed in it . You got the plane off the runway. You started, which is the hardest part. Like, now you need to take it to, to its completion and be proud of the thing you put out. And if nobody reads it, that’s fine.
[00:26:48] Lou Mongello: If one person reads it and is like, “Hey, because of this book, you made me feel this,” or, “I learned this And that’s the win, ’cause it’s never been about the mon- you, Jeff, it’s never been about the money for me. it’s just been [00:27:00] about trying to help people, trying to preserve those stories, and again, it goes back to what you said before about the importance of the belief, which doesn’t necessarily translate to confidence in the thing that you’re doing
[00:27:10] Lou Mongello: Cause if you don’t believe in a thing, how you gonna get somebody else to believe in it?
[00:27:12] Jeff Sieh: Right, the thing that helps me And I’ve told some other people to do this in the mastermind and stuff is like take all the stuff where people said hey you doing a great job and put it into like a document then just go back on those days when your struggling with what to write or what to do Just go look Hey Jeff thanks for that was really great Like i get alot of times after I spoke somewhere and save all those So When I get nervous about speaking again can read them okay Your not a total idiot right?
[00:27:38] Jeff Sieh: so one of the things about the book, Lou, you wrote a brand new personal introduction for every chapter which I thought was great. how you met the person, what happened after recording stopped, why they mattered.
[00:27:49] Jeff Sieh: why did you do that for this book, and what does that tell us about kind of the difference between like your first book and your second book? Did you, did you do that on your first interview book? Did you go through it and do the same [00:28:00] thing
[00:28:00] Lou Mongello: I did, I did a little bit and I was much more intentional about it this time because I- it’s those stories that I didn’t tell in the interviews that I think not just add value to the book but I think add context ’cause look you can put out… And there’s nothing wrong with this. I, I know there’s a lot of folks who will transcribe stuff and put it out as a book exactly as they were spoken in a podcast or on a blog post and th- and that’s fine. I think for me my philosophy was, just transcribing the archive and putting it out says, “Look well here’s everything.” What I wanted to create with this product, with this book and, and again contextually was, here’s what matters and why it matters and how all of these pieces fit together.
[00:28:37] Lou Mongello: Because I think the interviews themselves, they tell their stories but the introductions tell the story about why I want to invite you into this particular room. And I think too because some of these years were done 15, 20 years ago, I, I can look back with a different eye and, and mindset and understanding because I realize that some of these conversations, like I looked [00:29:00] at some of these conversations differently.
[00:29:01] Lou Mongello: I think time sometimes has a way of changing your relationship with something especially after somebody passes away where you realized the impact that they had on your life Richard Sherman I’m not name dropping but I, I’m looking at you. So yes you can say, “Here’s an interview I did back in 2006,” but when you say, ” Here’s how I met this person.
[00:29:19] Lou Mongello: Here’s how I was terrified to make that first email or what happened before I hit record or what happened after the microphone stopped and why sometimes I still think about something that this person tells me” because that’s you helping to create a very personal, very human connection to that, that story
[00:29:42] Paul Gowder: Yeah. S- so you talk about in, in the introduction that you don’t think of these as interviews. And, and I know listening to your podcast, you are a very skilled interviewer and you think of these as conversations, and sometimes that just means you have to let the person sit in silence until their memory, you know, surfaces. That can be really terrifying for somebody who’s do- never [00:30:00] done that. It … So how do you do that and let them sit? And, and how do you prepare for these conversations? How, how can we replicate what you do?
[00:30:09] Lou Mongello: You know, silence is fascinating, Paul, because I think for, especially for podcasters and I, I go to and I speak a lot of pocat- poscad- podcasts, I really talk for a living, podcast conferences, you know, it’s, it’s sometimes people look at that silence or those couple of beats like something’s wrong. I don’t know what to say, this person doesn’t know what to say, and, and it’s about trying to rescue that moment.
[00:30:31] Lou Mongello: And I, I think it’s not about rescuing yourself or rescuing the guest from feeling uncomfortable. Like, sometimes if there’s that pause, maybe the, the person is reaching back 50, 60 years for a memory that they’re, they’re trying to pull back up, and if you immediately roll into your next question, you might interrupt that memory and not allow it to come to the surface.
[00:30:54] Lou Mongello: Because I, I think as a host, and, and this is… Thank you, Mom and Dad. This is where my [00:31:00] training as a trial attorney, I think, finally comes, finally hopefully comes in, in handy. It’s not just about you showing how prepared you are, it’s you helping to create, like, conditions where something can emerge. And I think my, like, one bit of advice I always try and give people is be overprepared.
[00:31:18] Lou Mongello: Like, be overprepared. The, the best compliment you can get when you give an interview is, “Wow, that’s a great question,” or, “Nobody’s ever asked me that before.” And I don’t mean go to, like, ChatGPT or Claude and go, “Give me a question that nobody’s ever asked before.” Like, that’s not the way to do it because you have to listen. And I think what sometimes podcasters and interviews make the mistake is you’ve got your list of questions, and that’s fine, be prepared, but you’re not listening to the answer because you’re already sort of moving on to the next one because you’re afraid of time or you want to make sure you get through them all. ‘ Cause sometimes they’ll say something and drop this nugget that allows you to get very tangential and pull out a story that maybe you didn’t expect, and sometimes that is, where the gold [00:32:00] is. And if you can ask them that question that… And they go, and they pause, and there’s this silence, and they go, “You know, I haven’t thought about that in 20 years,” like, that’s communicating.
[00:32:09] Lou Mongello: And also, and I think it also shows a level of necessary trust in, ooh, that you and interviewee have with each other. Like, I’m not rushing you, take your time. let those stories come out, a- as, as naturally as they can. and, sometimes, you know, I think it’s, it’s Sometimes the most important question you can ask is not necessarily the next one, it’s the one that you were not anticipating at all
[00:32:34] Jeff Sieh: Yeah, I totally get that and we do go down rabbit holes in this , on this show quite a bit too. And by the way just a shameless plug, a couple episodes ago we had Matt Stagliano on talking about the art of the interview and his book and what he talks about on how, you know, not to be afraid of silence which w- Lou talked about is awesome.
[00:32:50] Jeff Sieh: So if you haven’t seen that one, go back and watch that because it’s a, it’s a really good, episode about how to interview. one of the most, fascinating things that I think, there’s many of, of fascinating things about Lou [00:33:00] but one of them is when Alice Davis took you down the stairs into Mark Davis’ home studio pointed at a chair and told you that was Walt’s chair and then she asked you if you wanted to sit on it.
[00:33:11] Jeff Sieh: So what did you do? And what did that moment teach you about what happens when you stop interviewing somebody and start just being with them?
[00:33:20] Lou Mongello: So that goes right to the point I was just making about trust. Like, in the time that we had, and that was the first time I had ever met her or ever spoken to her, was when I was invited into her home and did the interview, and she’s giving me this tour of her house, and before leaving, she’s like, “Do you wanna see Marc’s studio?”
[00:33:36] Lou Mongello: I’m like, “Yeah lady, of course I want to see Marc’s studio.” And we go down these stairs into this, this tiny little studio in, in the, in the hills of, of, you know, California. And I, I’m seeing where Marc Davis, like where he did his work, There’s a, a little nondescript chair next to his desk, and she’s like, “That’s Walt’s chair.
[00:33:55] Lou Mongello: That was the chair that was in his office, that Walt would come in and say, [00:34:00] ‘Show me what you’re working on. And she’s like, ” Do you wanna sit in the chair?” And I was like, “I do, but I don’t wanna touch it. Like, I don’t deserve like, the, the opportunity to sit in that chair.” But like, that’s it.
[00:34:12] Lou Mongello: Like that’s… This is what I mean. Like, that doesn’t necessarily come through in the interview, but contextually when you add it to the book, like it’s that personal beat. It, it’s the emotional hook. It’s the thing that does not and should never be, like overly or scripted at all because the memory has to come very naturally from you.
[00:34:31] Lou Mongello: Because it was such an important moment, and if you’re a Disney fan, you’re like, oh, like I get it. I get the importance of sitting in Walt’s chair or getting to go in Walt’s apartment or, I’m saying this going into Kevin Feige’s office, because you give me so much grief about Kevin Feige all the time. So, but it’s, it is about that trust being represented by being invited into that space.
[00:34:54] Lou Mongello: you know, and letting her say, “Let me show you where my husband worked , and let me tell you [00:35:00] about what happens here,” because that’s, that’s no longer like her recounting like historical story. This is somebody who walked into a room, sat in that chair, and talked to his friend and worked through that ideas and, that’s part of what you, I think as an interviewer need to do too.
[00:35:16] Lou Mongello: You have to not just extract stories. You have to earn very quickly that trust so you can be entrusted with some of those memories
[00:35:25] Jeff Sieh: Did you sit in the chair?
[00:35:27] Lou Mongello: Of course I sat in the
[00:35:27] Jeff Sieh: Okay, I just wanted to
[00:35:29] Paul Gowder: All right, well speaking of sitting in Walt’s chairs, I, and you know, we talked about where creativity comes from, and Jeff, you asked everybody earlier, is it in the shower? Is, you know, where is it? In the bathroom? Lou, you, you did get to sit on Walt’s toilet
[00:35:43] Jeff Sieh: What did you say again? So it, it, it glitched out for me. You said, did you say Walt’s toilet?
[00:35:47] Paul Gowder: he did sit on Walt’s toy. A- any inspiration come from that?
[00:35:50] Lou Mongello: a- absolutely. So again, very quickly contextually, we do Adventures By Disney, um, with our community. We’ve done them for years, and the very first one we ever did was, one that takes place in [00:36:00] Disneyland in Southern California, and they take you up to Walt’s apartment. And everybody’s looking at the lamp, and they’re looking at the kitchen where he made his chili, and they’re looking at the rocking chairs and where he slept. Not me. I, like, make a beeline, and I go around the corner, and I go into the bathroom, and I sit down like with the seat cover down, and I sit down on Walt’s toilet seat. and like friends come in, they’re like, “What are you doing?” And I’m like, This is where the magic happened.”
[00:36:28] Lou Mongello: Like this is where he did his best thinking.
[00:36:30] Lou Mongello: You know it to be true. You talk about doing it in the shower or you’re sitting on… You’re doing your thing and you’re like on your phone. Like this is where he probably had his most solemn personal alone moments and thoughts. I wanted to like get some of that energy. They have since roped off the bathroom, and I apologize, to everyone who is no longer able to sit on the toilet, so
[00:36:53] Jeff Sieh: I think you said you take your phone into your bathroom, and that’s just gross, so we won’t go there. But don’t ever… If he wants [00:37:00] you to take a
[00:37:00] Lou Mongello: Listen, I know
[00:37:01] Lou Mongello: that, listen, if, if you don’t wanna take your phone, you can just take the Disney interviews into your bathroom.
[00:37:06] Lou Mongello: I know my place in the circle of life,
[00:37:08] Jeff Sieh: that’s ri-… What was that Seinfeld episode where it’s tainted? It’s tainted now, right? It’s tainted.
[00:37:13] Lou Mongello: There’s a little sensor on the cover of each book.
[00:37:15] Lou Mongello: It, like, turns red if it goes
[00:37:16] Jeff Sieh: right. So, And one of the things I thought I w- was pleasantly surprised about reading the book is the pictures that you put in there, and they’re actually, I don’t know what you…
[00:37:25] Jeff Sieh: They’re black and white, like, line kinda drawings. I’m sure you put a filter on some of them. But you mentioned, uh, Richard Sherman before, but there’s a great picture of Richard Sherman and your daughter when she was, I think, eight, that you had placed in the book as well. So tha- that’s one thing you don’t get from the episodes, is you don’t get those pictures.
[00:37:42] Jeff Sieh: And so, it’s just been really fascinating seeing the different things that you’ve, you’ve included in the book with the chapters as a, as, as you’re reading along that helps tell the story. So when we’re talking about this book, don’t think of it as just like, oh, this is just a bunch of text, and it’s just boring, you know, interview stuff, but there’s actually– It’s really, it’s really been fun to, [00:38:00] to go through it and see those images as well.
[00:38:01] Jeff Sieh: How did you pick those? Like, which… I’m sure you have a, you know, have tons of them, but, like, how did you decide, “Oh, that one’s going in; this one’s not”? because they’re really good
[00:38:09] Lou Mongello: Yeah, again these… All these stories usually take place around between 2:00 and 4:00 AM,
[00:38:14] Lou Mongello: at various times. trying to find photos and think back and remember, and going through your archives or trying to find one that fits in a- and cut them out, and then forgetting to tell your designer like, “No, that one’s supposed to come out.
[00:38:26] Lou Mongello: This one was supposed to go in.” It’s fine. It’s fine. We can, uh, there’s a whole nother show about like the actual process of writing and putting together a book and working with a designer. But I wanted ones that were not just about their window on Main Street. Most of the ones are of like for example getting an interview Bob Gurr in person, or Jack Lindquist, or Al Connetsney in person, and having those photos of us together.
[00:38:53] Lou Mongello: Or being on the Disney Dream with my family and, we got together with R- Richard Sherman one [00:39:00] day. It was my daughter’s birthday, and so we got together in one of the rooms and had cupcakes, and he like sang happy birthday to my daughter, which I bring up to her every year on her birthday. So being able to share those, I think it, it, it’s not about me, it’s about humanizing the conversation, and now you can start to visualize what it looked like.
[00:39:16] Lou Mongello: Oh, this is … When they talk about interviewing Bob Gurr on stage, this is what it looks like. When he tells a story about, sharing a birthday cupcake with Jack Lindquist, and there’s a picture of us, you know, having that cupcake at somebody’s house, it, it helps to contextualize, I think, humanize a little bit more, and maybe help to visualize.
[00:39:32] Lou Mongello: And that’s something that did not exist in the first book
[00:39:34] Jeff Sieh: Yeah, it was very– I loved it. I thought it was a great addition. one of the things that I, I think this ties back into kind of at, for creators is… And I actually, when I sent out the email, it was, I s- I think the title was something about like, the, “Here’s 18 Disney legends and n-none of them said it was built by magic,” because they never did talk about like magic or pixie dust.
[00:39:53] Jeff Sieh: They talked about the people. So very few of them think of themselves as legends. They talk about their mentors [00:40:00] instead of achievements and credit the team before they do themselves. So, after 20 years of hearing that from all these interviews you’ve done of these legends and other cast members and employees of Walt Disney w- what do you think it has, actually is?
[00:40:12] Jeff Sieh: Is it, is it all the good ones have done that kind of thing, that they, it’s not about them, it’s about other people? Like, what is the takeaway you’ve gotten in that kind of, angle of thinking about others, not themselves as being this legendary person at Disney?
[00:40:27] Lou Mongello: Yeah, I– and you picked up on, I think the most important beat and, and common thread through all of them. Every single one of these people does not take the credit themselves first. They give it to somebody else. They give it to a team. They recognize others, and the, the sort of raising up the entire collective as opposed to this is about me, this is about why I received a Disney Legend award.
[00:40:51] Lou Mongello: It’s never been that at all. And just like with the first book, every single person unprompted told a story about Walt, like an [00:41:00] emotional story about Walt. And I was like again, looking back from a 30,000 foot view, like this is what I mean about Disney and the importance of corporations hiring for culture, not just talent. You’re not just necessarily hiring the most talented person in world. You’re, you’re hiring people that realize it, it takes people to make the dream a reality, not an individual to make the dream a reality. And I love the fact that that was never anything I had to pull out. That was something that was immediately volunteered by every single one of them. Very, very, very selfless
[00:41:30] Jeff Sieh: Yeah, I thought… I just– That was the th- the whole line throughout there is they seem like very almost humble. I mean, I know, like Joe Rohde I wouldn’t consider a humble guy you know when I … But he, but he is the way he presents himself and h- and his thoughts about, you know, conservation and what he’s trying to do with the, the snow leopards and all that stuff.
[00:41:50] Jeff Sieh: And then even Bob Gurr, like you could tell because it was a live interview that o- one of the first ones you put on there, he’s a little cantankerous. Like, he’s like, “I’m old enough that I don’t care what anybody else [00:42:00] says,” right? Like he’s kinda … It’s … But it was really good to see that picture and, you know, and go that way,
[00:42:05] Lou Mongello: Now can I just very quickly, very quickly, just story. 2008, I tracked down Richard Sherman, and when I finally got him on the phone, do you know what his very first question to me was?
[00:42:14] Jeff Sieh: Yes, I do, but I’m not gonna say
[00:42:15] Lou Mongello: ” Are you sure you wanna interview me?” Now mind you, this is before D23. It’s before, like, these people were sort of put on stage and on pedestals the way they are. And I was like, “Don’t you know who you are?” But that, that genuine humility that he had and always had, was something that I, I really appreciated and respected and admired in him. And you’re right, everybody else too really has that same way about them
[00:42:43] Jeff Sieh: So speaking of humble people, we’re gonna h- be talking about Lou’s next conference coming up which if you’ve been a part of this show, for, for any amount of time, you know we talk about momentum all the time. And I wanna know from you guys who’ve gone to a lot of conferences, I know a lot of you guys are creators and, we’ve met each other at [00:43:00] conferences before, what kind of conference do you like?
[00:43:02] Jeff Sieh: A big conference or a small room? Type big or small wherever you’re, you’re, watching this from ’cause I wanna know what you guys prefer ‘Cause there’s, there’s pluses for both of them. But we’re gonna be talking about Momentum here, and I know Paul you had a question, coming up that you wanted to ask that I thought was a really good one, that I think you and Cassie workshopped.
[00:43:19] Paul Gowder: All right, Lou, you’ve been doing this for a while, since 2016. and there’s lots of people in the room that have been to a lot of them, so there’s a few that have been to every one. So what’s different this year, and what’s changed, and what… If, if you’re new, what are you coming into this year that’s, that’s gonna be a little different?
[00:43:34] Lou Mongello: I mean, fortunately or unfortunately Jeff is gonna be back. Um,
[00:43:38] Lou Mongello: you know, I, I’ve, I’ve tried but yet here he is. Look, look and, and I’m incred– The two of you have been such important parts of Momentum for so many years. And I think part about what makes momentum different is that it’s consistently not. And what I mean by that is the format while it has expanded has not really changed [00:44:00] right?
[00:44:00] Lou Mongello: It started off as a one day one room event. I always intentionally made it small and very intimate. It has grown to four because there’s so much more we wanna talk about this. There’s so much more we want to share. You know, I think w –I think 10 years ago the need and desire for information and connection was super high.
[00:44:22] Lou Mongello: I think today there’s a lot of information that you can get just by going to YouTube But there’s a lot of things that you can’t get until you are in the room with other people That clarity and discernment and focus and relationships and accountabilities and… I think people are coming into the room with more information and capability and education but they are still sometimes almost overwhelmed like than ever
[00:44:48] Lou Mongello: Like it’s not about what can I do its out of all those thing s I can do do next and how do I actually go about doing it.?And that’s why I’ve always made momentum and why I say it really hasn’t changed. It’s not a [00:45:00] conference where you run from room to room and figure out who to listen to and leave with a notebook full of notes It’s about being very action oriented.
[00:45:06] Lou Mongello: It is a workshop.You don’t Leave with forty seven pages of note and twenty seven new things on a bullet list that you’re never gonna get to Its okay , i know what matters.,i know what i have to do,, i know what i need to do next and i know who i can go to if i get stuck.. helping to sort of Figure outwhat deserves attention Helping you create Those actions stepsand doing itin a Room With intelligent People Who Areyou might Not Be OnThe Same pathbut youare Sort OfOnthe samejourney
[00:45:36] Lou Mongello: anditsIm Very Fortunateto Have Always HadA roomofpeoplewhoareso incredibly generouswith their timeandtheir Educationand Their willingnessTo Help One Another
[00:45:46] Lou Mongello: Disney Hotel Lady says, “All the fine gentlemen on screen are now currently greatly impacting my life and business.” And that’s, I thought that was really great for her to say, and that like… But it’s also that we get to [00:46:00] meet people like that at Momentum.
[00:46:01] Jeff Sieh: The reason I keep going back is because it’s like a giant mastermind of colleagues, you know, and friends that are in there. So it real- it made, it’s not only as a speaker but as a, just a businessman, like it’s, it’s greatly impacted my life as well. But, Lou, you know, we, Momentum is capped at 50 people, and everybody attends every session.
[00:46:22] Jeff Sieh: There’s no track to pick. There’s nothing to miss. So what did you learn early on that made you decide to cap it instead of grow it?
[00:46:30] Lou Mongello: So I really built the conference that I wanted to attend because of my frustration with conferences of 2,000, 4,000, 6,000 people. And I had to decide, early on what I was trying to build and what I was trying to optimize for. And like believe it or not, revenue and attendance, while they’re legitimate goals, like they were not my initial goal.
[00:46:54] Lou Mongello: They still aren’t. It, it’s about what can I do to most effectively [00:47:00] help people? And having a room with 1,000 people in it, I’m not gonna be able to reach, and touch, and talk to, and help transform, and keep people accountable to each other, and have conversations, and negotiate relationships. ‘ Cause I think scale starts to work against you and sometimes against the thing that you are promising. So at 50 people, you know, you don’t disappear into the crowd. I don’t let you disappear into the crowd. I help you get wonderfully uncomfortable sometimes. By the end of, of day four, not only do you know everybody’s name but like… And, and you guys are, are, are perfect models of this. Like you’re not a s- okay, Jeff does. You don’t just come in, speak, and get off the stage, and get into your limo, and get to your helicopter and fly away. Speakers are participants. You don’t disappear backstage. The introverted person that wants to sit in the back row all the time is not gonna sit there. Like we’re gonna make you move around.
[00:47:56] Lou Mongello: We’re gonna make you not just talk to, but work with other people, [00:48:00] and build that trust so by the end of, of day four not only have you talked about your goals and your challenges, but you know. You know, there’s a lot of sometimes emotion that’s in that room, and I think that that’s not the goal, but I think that’s such a, a beautiful like representation of the, the relationships that are made that don’t always happen in a lot of other conferences
[00:48:24] Jeff Sieh: Yeah. I totally, totally agree with that
[00:48:26] Paul Gowder: Yeah. All right, Lou, for people out there that are watching and they’re thinking, you know, “I can only afford to go to one event this year,” I mean obviously it’s an easy choice. They just go to Momentum. But th-… but they’re looking around and maybe they can’t travel or, or maybe the dates don’t line up. When they’re looking at conferences how do you tell the difference between a room that’s really gonna change my business and something that’s just there for entertainment?
[00:48:48] Paul Gowder: Or it’s, you know, it’s more of just speakers on stage without interaction. How d- how do you de- tell the difference and how, how do people go about finding the right ones
[00:48:56] Lou Mongello: So it, it’s a great question man ’cause it’s hard ’cause there’s a lot of [00:49:00] events and sometimes you can only pick one and is it, you know, because of where it is? Mine just happens to be in Walt Disney World during the Food & Wine Festival. I’m not saying that’s intentional. However
[00:49:10] Lou Mongello: it doesn’t hurt and, you know, the hotel is right across from Disney Springs and people get together after the sessions and they go to the parks or they go out to eat together which is what I love. And that’s the thing that doesn’t always come through when you look at a website, a landing page, a sales page and Eventbrite ticket. You have to be able to find out, and as an organizer sometimes it’s, it’s challenging about what happens between and after the sessions, not just who was on stage. Great speakers like you guys are incredibly valuable and so very generous and, and I cannot… Momentum doesn’t happen without the two of you, and I’m not just saying it ’cause you’re here and it’s what you told me to say
[00:49:50] Lou Mongello: but If you’re going to get on a plane and go to a hotel and pay for an event, you need to make sure that room gives you [00:50:00] something that a YouTube video or a virtual seminar cannot.
[00:50:05] Lou Mongello: You have to see who attends. Are these people you can learn from? These people you wanna net-… I hate to use the word networking because it sounds so corporate, but that you want to have relationships with. And, and I don’t know if it comes through or not, like Momentum is not about consumption, it’s about participation. You’re not just there to watch and listen, take notes and go. It’s about doing, right? It, it’s not just about dreaming it, it’s about doing it. you know, if you’re looking at other conferences, what kind of access do you have? Do you have conversations with the people who are teaching? Are you in an audience of, of 5,000 watching somebody on a giant screen?
[00:50:42] Lou Mongello: Like, what is it that you’re going for? I think you have to ask yourselves the question, like, ” What problem am I hoping this room is going to help me solve?” And are these the people, is this the place, is this the size of an event and the way that it’s structured that’s going to help me do that? A- again, momentum may not be for everybody, and that’s okay. It’s part of the [00:51:00] reason why it’s, it’s I’ve kept it intentionally
[00:51:01] Lou Mongello: small after a, a decade. I will never, never say never, but I never envision Momentum being a, a thousand person event because that’s just not what it is. it’s us being able to help each other in that small, very trusted, intimate single room
[00:51:16] Jeff Sieh: You know, Paul and I have talked a lot with… You know, when we’re talking about conferences or, or preparing for a conference and how important it is to, you know, have those conversations and go with a plan. Paul’s great at going with a plan to like when we go to Craft and Commerce or something like that, like who he wants to meet, what he wants to do, once– How the
[00:51:32] Jeff Sieh: And he has a great plan. I think that’s super important. And also the hallway conversations. Everybody talks about like the most important part of the the conference was the hallway conversations. And I say this not trying to inflate Lou’s ego any more than it is. But, that Momentum is just one big long hallway conversation.
[00:51:48] Jeff Sieh: Like there’s stuff on stage that you go and, and you do, and there’s like workshops, but it feels like it’s just a giant mastermind or the one of those c- hallway conversations where you have these unlocks that happen just [00:52:00] around the corner at unexpected times. So, that’s why I think, we really love it.
[00:52:04] Jeff Sieh: And the other thing is, is, the people you get on s- on stage, I think, like, I was r- I was shocked, but I was… It was one of my favorite things, is one year you had, and I think he’s back this year, an accountant. Like you’re like, “Oh my gosh, we’re gonna have a session from an accountant?” But that unlocked so many things for different people because that was a real need that you saw that your, the people who attend needed.
[00:52:26] Jeff Sieh: Like they need help with their finances as a creator, and it’s something that doesn’t get talked about a lot. So
[00:52:31] Jeff Sieh: that’s what I really….
[00:52:32] Lou Mongello: not like a bore, like, “Oh
[00:52:32] Lou Mongello: my God, I’m gonna sleep
[00:52:33] Jeff Sieh: Yeah.
[00:52:34] Lou Mongello: session.” Like people
[00:52:35] Lou Mongello: like…
[00:52:35] Lou Mongello: He was like a rock star after. He was
[00:52:37] Lou Mongello: he, he was being like
[00:52:38] Lou Mongello: mobbed afterwards. I’m like that’s the sign of success, right? And people are like, “How did it go as a speaker?” Like when people come up to you afterwards, like that means you had im- impact.
[00:52:47] Lou Mongello: That means they had more questions. That means they wanted to learn more, and I think that’s, … It’s a testament to that speaker, and, and being able to identify the things. Look, I, I listen as much as I talk, especially before, during, and [00:53:00] after the conference. Like where are the gaps? What do people want?
[00:53:02] Lou Mongello: I send out surveys. You know before you go, you get a very
[00:53:06] Lou Mongello: long document to help you prepare. Listen, man, you might hate it, but it helps you prepare for momentum. It helps me prepare like, oh, I need to connect Jeff with this therapist. I need to help. You, you start to identify, like Paul does, why am I going?
[00:53:22] Lou Mongello: What do I hope to get out of it? What am I looking to do? and I think also, you know, for me, you know, community is sort of like the, the…
[00:53:30] Lou Mongello: My podcast is the heart of the way I do. Community is the soul and community is not about the relationship between me and somebody else. It’s about the relationships that exist in that room when I’m not there
[00:53:41] Jeff Sieh: So, you know, Charles Rid-Ridgewh- Ridgeway said Walt’s hiring policy was to bring in young people who are willing to learn. So how do you decide who belongs in the room?
[00:53:51] Lou Mongello: Again, my judgment is somewhat skewed. Jeff is
[00:53:54] Lou Mongello: still here. I, I mean, I can’t exclude everybody. I have to sort of, you know… I’ve been very thoughtful [00:54:00] about how I design the Momentum page because I want a person to read it and be able to say, “This is for me.
[00:54:07] Lou Mongello: This is not for me.” I wanna make sure that before you buy your ticket, you know in the best possible way what you’re getting into. Like these are my people. This is where I wanna be. And I will — When people fill out those pre-arrival worksheet forms, I’ll go through them, and there are some times I’ll go through and say, “Hey, are…
[00:54:27] Lou Mongello: Like maybe this isn’t for you. Maybe we should get on a call first. Maybe we should do like a one-on-one first,” because I wanna make sure you leave momentum, like Walt wanted people to leave Disneyland not just satisfied. I want you to leave with your expectations exceeded, and I wanna make sure that I can, and the speakers and the people in the room are able to deliver on that promise for you
[00:54:47] Jeff Sieh: Yeah. And it just, it’s, if you haven’t been, it is a conference like no other. And so, um, Lou, before we wrap up, I want you to tell people where they can find out, one, about More Momentum, when it is, how to get there, how to sign up, how many seats are [00:55:00] left, and where they can find out more about you if they’re not listening to…
[00:55:04] Jeff Sieh: Like, who’s not listening to Lou on his show anymore? Like, everybody is. But in case they’re not, you might wanna mention where y- they can find out more about you.
[00:55:11] Lou Mongello: Well, first of all thank you guys for having me back. I really do appreciate it and I, I love and appreciate the both of you, and I’m not just saying that. you can go to loumongello.com/momentum. Momentum this year is October 15th through the 18th, and then there’s an optional six-person mastermind day on Monday. at the time of this recording, I think we have two, maybe three seats left. I’m not sure. still have the early bird special going on, and the super early bird special, for the one mastermind seat left because I’m human and we all make mistakes, and at one point the mastermind tickets just weren’t on the site anymore so I extended the…
[00:55:48] Lou Mongello: Or listen, it’s like when you write the book, man, there’s, mistakes are gonna, are going to get in. but yeah, that’s how you can find out more. And if you’re not sure if momentum’s right for you, email me lou@wwradio.com. I answer every email [00:56:00] personally and, and I wanna make sure that, you feel like you are definitely in the right room
[00:56:05] Jeff Sieh: And where can people find out the amazing Paul Gowder, all his things going on?
[00:56:09] Paul Gowder: Paulgowder.com. I’d love to h- have you come over and join what we’re doing over there
[00:56:14] Jeff Sieh: And Paul’s got a, a Wednesday coffee hour for people in his community so, make sure that you go check him out on Wednesdays. He does a live show, it’s really fun. I wasn’t able to do it this week ’cause I was, under the weather but I, I look forward to that. and also I just wanted to say this Lou, and I’m, I’m not gonna embarrass you and I, and I can actually strike this from the record but there’s a reason that Kevin Feige said, and this was, still blows me away, that when he was filming Iron Man which was one of the hardest things he said he ever did, that what got him through it was listening to your podcast.
[00:56:42] Jeff Sieh: One of the things that got him through it was listenin’ to your podcast which I thought is a very high testimo– testimony to your podcast but a lot of people feel the same way so thank you and continue to do what you do because I think you bring a lot of hope and joy to a lotta different people. So thank you for being on the show
[00:56:55] Jeff Sieh: again.
[00:56:56] Lou Mongello: Thank you, brother. I appreciate you guys
[00:56:58] Jeff Sieh: I want to say thank you to the [00:57:00] amazing chat room we, from Disney Hotel Lady, from Zach Brown, But Mostly Disney. Everybody who showed up we appreciate you because without you we wouldn’t have
[00:57:21] Jeff Sieh: Thanks for watching everybody. We will see you guys next time. Bye everybody








